Sticking to death metal oriented sounds Unanimated shows how melodic death metal should sound - building melodies around death metal and not the other way around, keeping the death factor intact in their music.Featuring members of Entombed, Dismember, Therion; Unanimated's Ancient God of Evil is a polished yet intricately blended record where each song strikes an evil chord from its melodic notes. The beauty of the album comes from the fact that implacable melodic riffs from the lead guitarist is always emphasized by an equally competent second guitarist playing discerning metal riffs. The fast, distorted guitar riffs with the broken chords that move in a sequence inducing the melodic tone is best felt in the track Eye of The Greyhound.
This twin guitar attack coupled with the raspy vocals of the black metal style makes a pleasurable change from the far-more mainstream sounds of melodic-death scene.
That melodic death sounds can be created by such minimal use of keyboard is a fact well worth applause for the band who rarely make a good work from the keyboard in the album. Dead Calm and Mireille are among the few tracks where keyboards are used, particularly in the slower parts of Dead Calm where keyboards adds an ominous touch to the ambience. The melodies presented on the keyboard also gives a very sorrowful touch to the album's sounds. Drumming in Ancient God of Evil is nothing too extravagant, just drumming along with the riffs with occasional bursts of doublekicks to keep up with the riff progressions.
All in all presenting the album in one grand, majestic way all the while exploring the issues of nihilism and self-negation, Unanimated's Ancient God of Evil is one of the most under-rated melodic death albums of all time. With nominal use of keyboards, Unanimated creates melodies with a strong presence of death/black elements which is nowhere close to the Gothenburg soun